格陵兰之旅
Thomas Blanchard,François Chattot,Ole Eliassen,Thomas Scimeca,Adam Eskilden
Thomas Blanchard,François Chattot,Ole Eliassen,Thomas Scimeca,Adam Eskilden
海伦·麦克洛瑞,杰瑞米·艾文,菲比·福克斯,利安娜·贝斯特,阿德里安·劳林斯,奥克利·佩德加斯特,莱拉·德·梅扎,海莉·乔安妮·培根,奈德·丹内利,阿米莉娅·皮金,豪尔赫·莱昂·马丁内斯,裘德·怀特,皮普·皮尔斯,理查德·班克斯,阿尔菲·西蒙斯
张珏,张苒
维林斯·豪塞尔,博·霍普金斯,乔治·肯尼迪,金伯莉·贝克,布里翁·詹姆斯
梁朝伟,叶倩文,徐克,林正英,岑建勋,陈国新,林国斌,秦沛
盖·里奇
马丁斯科塞斯
约翰·卡萨维茨
赫尔措格
周星驰
吕克贝松
山姆·佩金法
申尚玉
丽贝卡·波拉科娃,Mantas Zemleckas,巴博拉·伯布洛瓦,米罗斯拉夫·哈努斯,马丁·芬格,哈娜·瓦格内洛娃,Ondrej Novotný,Tatjana Medvecká,娜塔莉·蕾赫罗娃,Simona Zmrzlá,Marek Geisberg,Agáta Spisáková,黛安娜·杜林科娃,Katerina Marie Fialová,Leona Sklenickova,Martin Donutil,Pavel Novotný,Patrik Vojtísek,Eva Alner Jízd
吴耀汉,陈欣健,张天爱
Steven Strait,Ana Ortiz,Gina Rodriguez,Robert Bogue,Orfeh,Priscilla Lopez,Taylor Gildersleeve,Conor Romero,Tibor Feldman,Monica Steuer,Stephen DeRosa,Giovanna Cappetta,Tom Morrissey,Nina Lafarga,Michael Sirow
Alanna LeVierge,Nina Kiri,Adam Christie,Kate Fenton,Michael Lipka,Brooke Henderson,Glen Reid,Deborah Jayne Reilly Smith,Kyle Hytonen,Paul McGinnis,Eric Picard
胡家庄年味渐淡,寒暑异常,舞狮少年罗川跳脱飞扬,异想天开,梦想把舞狮技艺发扬光大,却常常弄巧成拙,所到之处鸡飞狗跳,被村民视为“扫把星”,是村长胡长礼眼中的“危险分子”。年兽小五意外降临人间,大闹村庄,勾走了传家宝——狮头。罗川为找回狮头,和下凡捉年兽的鼠仙阿细相识,两人逐渐发现年兽并不可怕,可以和人类做朋友,但胡长礼爱村心切,被噬灵妖蛊惑,遁入疯魔,制造了一场针对年兽的阴谋,最终罗川和阿细联合村民,打败了噬灵妖,唤醒了胡长礼,胡家庄重归热闹,众人欢欢喜喜迎接春节到来。
座落冲绳的「Hotel Hibiscus」,虽然名为酒店,却是只有一间客房的古旧民宿。里面住着小三女生美惠子和她的家人。美惠子活泼好动,每天和朋友一起去探险。某日,美惠子放学回家时,遇到了倒在地上的青年,并把他带回Hotel Hibiscus… 导演中江裕司继《Nabbie's Love》四年后的新作,《Hotel Hibiscus》继续以冲绳为舞台。电影改编自Nakasone Miiko的同名漫画,描写小三女生美惠子的冒险和成长。饰演美惠子的蔵下穗波是在3千名冲绳小学生中挑选出来,合演者包括平良Tomi、冲绳民谣歌手照屋政雄、余贵美子等。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
莱斯利·尼尔森,理查德·克里纳,凯莉·勒布洛克,美琳达·麦格劳,麦克尔·约克,桑德拉·伯恩哈德,艾伦·坡尔,本杰明·拉特纳,杰拉德·普伦科特,邓肯·弗雷泽,John Walsh,Chick Hearn,玛丽·布莱克,阿莱克斯·迪亚坤,阿德里安·多瓦尔,埃莉·哈维,Charles Payne,帕特·普罗夫特,薇娜·苏德,比尔·塔尔林,Shari Lewis
Dean Edwards,T.L. Flint,Aaron Berg
卢卡·奥利尔
乔纳森·莱斯·梅耶斯,埃莱娜·康博里斯,多隆·贝尔,阿加·达什,Alix Villaret,Fletcher Donovan,莎拉·桑帕约,Rachelle Goulding,凯特琳·史崔克,C.J. Perry
约瑟夫·高登-莱维特,佐伊·丹斯切尔,吉奥弗瑞·阿伦德,科洛·莫瑞兹,马修·格雷·古柏勒,克拉克·格雷格,帕特里夏·贝尔彻,瑞秋·波士顿,敏卡·凯利,Charles Walker,伊安·瑞德·科斯勒,维勒特·罗德里格斯,伊薇特·尼科尔·布朗,妮科尔·维丘什,麦丽·弗拉纳甘,西德·威尔纳,理查德·麦克格纳格尔,让-保罗·维尼翁,苏比尔·阿祖尔,盖斯·卡尔,娜丁·埃利斯,蒂凡妮·格拉纳斯,布兰登·亨舍尔,莱克茜·休姆,詹妮弗·李·凯耶斯,蒂姆·拉卡特纳,瑞贝卡·林,安东尼·马西奥纳,瑞恩·托马斯,克里斯汀文森
艾伦·德鲁,Robert Paige,保罗·卢卡斯
蔡淑臻,马士媛,叶子绮,黄镫辉,陈慕义,张允曦,赵心妍,夏腾宏,林嫣
赵奕钦,叶子淇,赵蕴卓,陈昊明,赵浩杰
山姆·克拉弗林,安东尼娅·托马斯,威廉·霍普,史蒂芬·克里,弗兰基·科里奥,阿黛尔·莱昂斯,亨利·佩迪格鲁,莎伦·D·克拉克,尼尔·林波,Jordan Gubian,Will Davis,Caréll Vincent Rhoden
伊桑·霍克,艾玛·沃森,大卫·休里斯,戴文·博斯蒂克,戴尔·迪奇,艾伦·阿什莫,亚当·布切,大卫·丹席克,阿隆·艾布拉姆斯,罗泰尔·布鲁特,彼得·麦克内尔